At the moment we have to consider this a rumor, but can you imagine an Academy Award-winning psychotic oilman in a musical? Daniel Day-Lewis is in talks to replace Javier Bardem in Rob Marshall's film version of the musical Nine, according to Variety. As Monika Bartyzel told us a couple of weeks ago, Bardem dropped out of the lead role due to exhaustion. A spokesman for distributor The Weinstein Co. denied that a new lead had been set.
What an exciting prospect, though! Day-Lewis is famously selective about the roles he chooses, which means it's safe to assume that he was impressed by the elements that have been brought together. Those elements include: (1) script by Michael Tolkin, re-written by Anthony Minghella shortly before he died; (2) a fabulous cast of women, led by Nicole Kidman and Judi Dench (as Elisabeth Rappe reported recently), but also Penelope Cruz, Marion Cotillard and Sophia Loren; (3) director Rob Marshall. I know that Marshall isn't universally loved -- I'm not a fan of Chicago -- but presumably he has some kind of dazzling vision that inspires confidence among actors with hidden musical talents.
If he takes the part, Day-Lewis would play Guido Contini, "a famous film director who experiences personal and creative crisis while trying to balance all the women in his life." In the 1982 Broadway musical, inspired by Federico Fellini's 8 1/2, Raul Julia originated the role. I'm hoping for confirmation soon.
Michael Moore's Fahrenheit 9/11 was pretty good as far as anti-Bush jeremiads go, but it ended with a cliffhanger. Would George W. Bush be reelected in 2004 despite all the reasons Moore laid out for his dismissal? Or would he overcome the odds, focus the campaign on silly non-issues, and get lucky by having a weak, boring opponent?
We know what wound up happening, and now Varietyreports that Moore is making a sequel, as yet untitled but scheduled for release around this time next year. (There's a chance it'll premiere at Cannes, like Fahrenheit and Sicko did.) Moore is working with Paramount Vantage and Overture Films this time around, splitting from the Weinstein Company, which distributed his last two films. We're guessing he wasn't happy with the way Sicko underperformed and has struck out for new territory.
So what will the Fahrenheit sequel cover? Everything that's happening since the last film, apparently. It's interesting how much things have changed in four years. In 2004, Bush and the Iraq War were not terribly popular, but they both had enough supporters to get him reelected. Now, Bush's approval rating is at a record low -- and I mean it's a record not just for him but for all presidents since the polling began -- and a majority of Americans feel the war was a mistake and should be ended ASAP. All of which means Moore's new film will probably find a larger, more receptive audience than the last one did.
It's a splendid week for indie lovers with a taste for classic cinema -- which is everybody, right? -- with a flock of great Westerns and two Louis Malle films from Criterion among the highlights. More recent fare is more scarce.
Even though reviews were mixed to negative (our own Jeffrey M. Anderson was definitely mixed), Francis Ford Coppola's Youth Without Youth (Sony Classics) is almost required viewing. (Erik Davis posted a clip from the DVD just last week; check the official site for more.) The DVD includes an audio commentary by Coppola, a "making of" feature and two others on the music and make-up.
Tricia Regan's doc Autism: The Musical (Docurama) follows five autistic children as they write and produce a musical. Brendan Butler at Cinema Blend called it "heart-wrenching and heart-warming ... The dialogue the film opens with is as vivid and fierce as any hot-button topic in our country today." (Read more about the film at the official site.) The DVD includes deleted scenes and a "companion guide."
Leelee Sobieski stars as a would-be dominatrix in Walk All Over Me (The Weinstein Co.), which debuted at Toronto last fall; Eye Weekly said it was a "somewhat messy but energetic comic thriller." (Check the movie's site for more information.) The DVD includes a commentary by Sobieski, co-star Tricia Helfer and director Robert Cuffley, behind the scenes footage, a deleted scene, outtakes, a music video and still gallery.
Hollywood is fond of cannibalizing old cartoons and children's TV shows, but have you noticed that most of them are programs that no one cared about anyway (ahem Speed Racer ahem)? That's why today's announcement is special, because it looks like they're gonna make a film version of something that actually has a cache of devoted fans: Fraggle Rock.
That's right, children of the '80s! Dance your cares away; worries for another day. The 1983-87 HBO series about an underground race of Jim Henson puppets is on The Weinstein Company's fast track for production. Cinematicalreported way back in October 2006 that a writer had been found in Ahmet Zappa (son of legendary rocker Frank Zappa), but that's not who the Weinsteins are going with. (He'll be the executive producer instead.) According to Variety, the film will be written and directed by Cory Edwards, who made the mediocre and long-forgotten 2005 cartoon Hoodwinked.
Fraggle Rock will be live-action; it will be a musical; and it will be produced by the Jim Henson Co., which of course owns the rights to the characters. Variety says the TV show's five central characters, Gobo (whom Variety calls "Gogo"), Wembley, Mokey, Boober, and Red, will still be the focus. It sounds like the Weinsteins aren't interested in deviating much from the TV show's format, which is good.
No word yet on a tentative release date, but we'll definitely keep you posted. In the meantime, what do you think about this news? Are you excited? Apathetic? Apprehensive?
Both of the upcoming animated releases that aren't Wall-E or Space Chimps got new trailers yesterday. Here's one for Igor (and here's a link to the poster we premiered a few weeks ago), and here's one for Kung Fu Panda.
Kung Fu Panda looks like it'll be just a step or two above -- *shudder* -- Beverly Hills Chihuahua. Igor, on the other hand, looks like a charmer: the premise is inherently nerdy, requiring viewers to think back to the original Frankenstein films (or at least Young Frankenstein, or Van Helsing in a pinch) to get the joke, and the trailer has a few big laughs.
The biggest upside of Kung Fu Panda coming out on June 6th: those of us who frequent AMC Theaters will no longer have to endure the Kung Fu Panda-themed pre-movie interlude exhorting viewers to shut up. I'm not sure how many more times I can listen to Jack Black tell me that he can hear me texting before I have an aneurysm. But I guess I should be grateful AMC is no longer airing that horrid Three Doors Down "Citizen Soldier" video pimping the National Guard (because no one screams "role model" to teenagers like the lead singer of Three Doors Down). That thing gave me nightmares.
God, I love this movie. Cinematical has received two exclusive stills for The Promotion, directed by Steve Conrad (writer of The Pursuit of Happyness and The Weather Man). You can check out larger versions of both photos in the gallery below, but listen up: Go see this flick when it arrives in theaters this June 6. I'll give you the same pitch I've been giving everyone else: Picture Election in a supermarket with older main characters. This isn't some stupid, cheesy broad comedy -- it's intelligent, it's hysterical and it features what is perhaps the best performance from Seann William Scott I've ever seen.
Essentially, The Promotion (read our review here) is about two nice guys who just happen to be going for the same job as manager of a new supermarket opening up across town. Toss in a slew of random characters, a well-written story and witty dialogue, and that'sThe Promotion. Yes, there are a bunch of other comedies opening up this summer with bigger stars, bigger budgets and bigger marketing campaigns. I'll say this, though: 10 bucks The Promotion turns out better than all of them. Easily my favorite comedy of the year so far.
Now stand up, walk over to your calendar and draw a big red circle around June 6. Underneath, in that little box, scribble in: "Need to see The Promotion." You'll thank us later.
It's rare that a good film will irritate me, but it happened at least fifteen times during the rather intense Brazilian import Elite Squad, and here's why: The film is saddled with an omnipresent voice-over narration from the main character, and this running commentary deflates, detracts, and nearly ruins every GOOD thing about the movie. Every time the viewer is offered a chance to think for himself, make a decision about a specific character, or draw a moral conclusion about the onscreen mayhem -- up pops the stunningly unnecessary voice-over monologue. After a while it starts to feel like the filmmakers simply don't trust your intelligence, and so they insist on explaining every scene, every theme, and every possible motivation the characters might have. It's a damn good thing that Elite Squad has some other very solid assets in its corner, because that narration almost kills the whole movie.
Based on the book Elite da Tropa by Andre Batista, Rodrigo Pimentel, and Luiz Soares, Elite Squad takes us inside two very different Rio de Janiero police units. On one end we have the "regular" police, most of whom are either sickeningly corrupt or simply ineffective. On the other side we have the BOPE, which is Brazil's ultra-elite unit of peace-keeping ass-kickers. Even the regular cops step to the side when the "elite squad" arrives on the scene, and it's the leader of this unit who becomes our entry point.
It can't feel great to be known as the guy who blew a primetime career simply because he couldn't keep his big mouth shut. But, there is still hope for Isaiah Washington, and The Hollywood Reporter announced he has picked up his first feature film role since being fired from Grey's Anatomy. Washington has now signed to star opposite Forrest Whitaker in Tim Story's sports drama, Patriots.
Patriots is based on the true story of Al Collins (played by Whitaker); a high school basketball coach. After the disaster of Hurricane Katrina, Collins put together a local team consisting of kids displaced from their schools and homes, and led them to the state championships. Washington will play the assistant coach who helps lead the squad to the championships.
I can't be the only one getting tired of all these inspirational sports movies. It's gotten to the point where they are bleeding together into one long Hallmark Movie of the Week, but for the ESPN set. Although, I should have expected nothing less from the writers behind Remember the Titans and The Great Debaters (debating is kind of a sport, right?). Patriots will begin shooting on location in New Orleans later this week, and will arrive in theaters later this year.
The good news? Two of Asia's biggest action superstars have teamed up for the first time. The bad news? It's 15 years too late. And what's with the white kid?
The Forbidden Kingdom is yet another picture in which we are meant to experience an exotic locale peopled entirely by "others" through the eyes of a Caucasian character. In this case, it's a fantasy world cobbled together from classic Chinese literature and period martial arts movies. As the latest entry in the category of "low expectation, Asian-themed, English-language movies written and directed by respectful American creative talent," the film is slightly above average entertainment. But I grow tired of having to lower my expectations in exchange for the pleasure of seeing talented Asian performers make an appearance on the big screen in America.
Writer John Fusco and director Rob Minkoff make fun of some of the stereotypes inherent in period martial arts pictures, while also sprinkling shout-outs into the material to demonstrate their love and knowledge of the various source materials that inspired them. Jackie Chan and Jet Li are cheerfully engaging as a drunken beggar and monk on a mission, respectively, providing most of the film's comic and action highlights in supporting roles. That's right -- Chan and Li have both achieved Hollywood stardom, are top-billed, are no doubt top-paid, but play second fiddle to "the white kid," Michael Angarano. We waited years for this?
Man oh man do I love a good Killer Croc flick. Problem is ... there's maybe one true "classic" of the sub-genre (that'd be Lewis Teague's and John Sayles' Alligator, of course), and the rest of 'em are pretty much floating crap. Over the past year or so we've seen a bit of a resurgence in the category: Lake Placid 2 is mindless stupidity; Stewart Raffill'sCroc is slightly better than that; that Primeval one is a passable enough time-waster; and the indie Aussie import Black Water is actually quite good, although more of a slow-burn nature thriller than a chomp-'em-up horror flick -- but what of Rogue?
Yes, Rogue. Ring any bells? Sophomore effort from Wolf Creek director Greg Mclean, Rogue looks to be a standard enough Killer Croc flick that stars Michael Vartan, Radha Mitchell and Sam Worthington. The fact that the flick has been sitting on a shelf over at Weinstein Co. for over a year might seem like a red flag, but that's why the world needs horror geeks like me: So I can tell you that early reaction to the flick has been surprisingly positive! The flick came out in Australia last November, and while it didn't do a whole lot of business, I've been hearing rumblings from my horror colleagues that the movie's quite good!
A Taiwanese filmmaker's tribute to a celebrated French short soared easily to the top of the indie charts this weekend. Flight of the Red Balloon (IFC Films), directed by Hou Hsiao-hsien, averaged $17,450 at the two screens where it played in Manhattan, according to estimates compiled by Leonard Klady at Movie City News. Jeffrey M. Anderson wrote: "Like Hou's more recent work, Flight of the Red Balloon moves a little more toward international accessibility and away from his early, uniquely Taiwanese stories." Juliette Binoche stars as a frazzled writer and performer with a troupe of puppeteers who hires a Taiwanese film student as a nanny for her young son.
Surprisingly, My Blueberry Nights (The Weinstein Co.) finished #2 for the weekend, grossing an average of $11,380 per screen at six locations. Wong Kar Wai's first English-language film met with lukewarm reaction at Cannes last year; the director tinkered with the editing, but the end result is still not very satisfying, according to Nick Schager. He wrote that the "lovelorn dilemmas [of the female characters] ... consistently come off as precious and trifling, which is dispiriting considering that Wong and [director of photography Darius] Khondji make everything look and feel so rapturous and enticing that one wants to believe the proceedings are of consequence." Nora Jones, Jude Law, Rachel Weisz and Natalie Portman are featured.
According to Variety, Dimension Films is remaking that whimsical 80's classic Short Circuit. S.S. Wilson and Brent Maddock, the writers behind the original two films, are set to write the remake. The film will reportedly be similar in theme to the original, but will factor in advances in technology. (Really? Last I checked, we didn't have sentient robots who could be your pal!)
This has to stop. I'm too young to see my childhood paraded before me like this, a demented nightmare of what once thrilled and delighted me. I loved this movie. It has honestly been a long time since I saw it, so I doubt it has held up -- but I love my memories of it. I also cherish my memory of the sequel. My parents took me to see it, it was a sold out showing. And I think it was only ten or twenty minutes in before I realized how horrible it was. I do believe it was the first time I was exposed to the realization that sequels were made for money, and were often wretched. Up until then, all the sequels I had ever seen (which probably amounted to Empire Strikes Back) were awesome and worthy continuations of characters I adored.
I realize I'm probably making a mountain out of a molehill, but this trend has to stop. What's next? The Goonies? Gremlins? The Karate Kid? Big Trouble in Little China? Oh no, I've given them ideas.
Cinematical has just received this exclusive poster (click on the image to enlarge) for Where in the World is Osama Bin Laden?, director Morgan Spurlock's follow-up to the ultra-popular documentary Super Size Me. The first poster for the film (which we debuted here) spoofed Indiana Jones. This new one seems to have a Lawrence of Arabia vibe to it, which I totally dig. The film, which premiered earlier this year at the Sundance Film Festival, follows Spurlock to the Middle East on a journey to track down the world's most elusive criminal: Osama Bin Laden. But what awaits our heroic documentarian upon arrival? And will he find a way to make it out alive ... with Osama in his backpack? You'll have to see the movie yourself for the answers to those questions, but in the meantime feel free to check out James' review from Sundance and his interview with Morgan Spurlock.
Nearly a year after its international premiere at Cannes, My Brother is an Only Child (ThinkFilm) opened at the top of the indie weekend box office returns, according to Box Office Mojo. Playing at just one theater in Manhattan, the film grossed $10,500. My Brother "follows two brothers through years of Italian history, with their personal and political travails echoing down the years," Cinematical'sJames Rocchi wrote last year. "Even with it's merits as a light-but-sentimental story of family in 1960's Italy, it also reminded me of the soaring, sweeping, astonishing La Meglio Gioventù (The Best of Youth) -- and wound up completely winning me over." The film will roll out to other cities over the next three weeks, per the distributor's web site.
Immigration family tale Under the Same Moon (Fox Searchlight / The Weinstein Co.) continues to perform well, earning $5,771 per screen as it expanded to 390 theaters in its second week. Leonard Klady at Movie City News commented that the film is "playing in a mix of Hispanic, art and mainstream locations but with rare exception is working best in the former venues." Also in its second week, Love Songs (IFC), Christophe Honoré's French-language modern musical, held onto most of its audience, averaging $6,800 at two Manhattan theaters.
Or did it? It seems it depends on who you ask. The Hollywood Reporter has a long story recounting the Fanboys supporters' attempt to picket Superhero Movie. The protest actually grabbed a few headlines, which would suggest there were numerous stormtroopers out there sticking it to the man -- claims denied by AMC theatre reps and by the Weinstein Co.
The 501st (who are now denying any official stance or organized protest) says that at least 14 members showed up at a New York AMC, but when confronted by security guards, chose to buy a ticket to see 21 instead. They also claim that 20 stormtroopers showed up at Century City, but were asked to leave the mall by security guards. AMC denies both incidents occurred, and that the only protester in Century City was a lone Darth Vader.
A source close to the film says that it was eight protesters in Century City, and that they were taken out for pizza by a producer. That's certainly confirmed by a quote from producer Matthew Perniciaro: "We've been working on this movie for many years, and if someone is going to take time out of their personal life and support our film, whatever that support might be, at the very least what we can do is say thank you and buy them a couple of slices of pizza for caring abut this project as much as we do."
At the moment we have to consider this a rumor, but can you imagine an Academy Award-winning psychotic oilman in a musical? Daniel Day-Lewis is in talks to replace Javier Bardem in Rob Marshall's film version of the musical Nine, according to Variety. As Monika Bartyzel told us a couple of weeks ago, Bardem dropped out of the lead role due to exhaustion. A spokesman for distributor The Weinstein Co. denied that a new lead had been set.
Michael Moore's Fahrenheit 9/11 was pretty good as far as anti-Bush jeremiads go, but it ended with a cliffhanger. Would George W. Bush be reelected in 2004 despite all the reasons Moore laid out for his dismissal? Or would he overcome the odds, focus the campaign on silly non-issues, and get lucky by having a weak, boring opponent? 
Hollywood is fond of cannibalizing old cartoons and children's TV shows, but have you noticed that most of them are programs that no one cared about anyway (ahem Speed Racer ahem)? That's why today's announcement is special, because it looks like they're gonna make a film version of something that actually has a cache of devoted fans: 
Both of the upcoming animated releases that aren't Wall-E or Space Chimps got new trailers yesterday. 
It can't feel great to be known as the guy who blew a primetime career simply because he 
Man oh man do I love a good Killer Croc flick. Problem is ... there's maybe one true "classic" of the sub-genre (that'd be Lewis Teague's and John Sayles' 
A Taiwanese filmmaker's tribute to a celebrated French short soared easily to the top of the indie charts this weekend. 
No! For the love of God, make it stop!
Nearly a year after its international premiere at Cannes, 
Or did it? It seems it depends on who you ask. 
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SCOOP: Spider-Man 4 and 5 Might be Shot at the Same Time!
Cinematical Seven: Disney's Awesome Live-Action Kid Adventures
Cannes Review: Kung Fu Panda
